> tikkun olam

(Source: everlarc)

"In 1979, when the minimum wage was $2.90, a hard-working student with a minimum-wage job could earn enough in one day (8.44 hours) to pay for one academic credit hour. If a standard course load for one semester consisted of maybe 12 credit hours, the semester’s tuition could be covered by just over two weeks of full-time minimum wage work—or a month of part-time work. A summer spent scooping ice cream or flipping burgers could pay for an MSU education. The cost of an MSU credit hour has multiplied since 1979. So has the federal minimum wage. But today, it takes 60 hours of minimum-wage work to pay off a single credit hour, which was priced at $428.75 for the fall semester."

- The Myth of Working Your Way Through College - Svati Kirsten Narula - The Atlantic (via infoneer-pulse)

tyleroakley:

tacobell:

tyler-oakleys-pickle:

[X]

He’s perfect. 

No, you’re perfect.

nothingisinstant:

“‘Cause there’s this tune I found that makes me think of you somehow and I play it on repeat.”

nothingisinstant:

“‘Cause there’s this tune I found that makes me think of you somehow and I play it on repeat.”

(Source: nothingisinstant)

you-wish-you-had-this-url asked: I've been seeing a lot of people talk about Gus sounding really pretentious in the movie, do you think he sounds pretentious?

fishingboatproceeds:

I mean, that scene is word-for-word from the book, so don’t blame the movie! :) Yes, Gus is super pretentious at the start of the story. it’s a character flaw.

Gus wants to have a big and important and remembered life, and so he acts like he imagines people who have such lives act. So he’s, like, says-soliloquy-when-he-means-monologue pretentious, which is the most pretentious variety of pretension in all the world.

And then his performative, over-the-top, hyper-self-aware pretentiousness must fall away for him to really connect to Hazel, just as her fear of being a grenade must fall away. That’s what the novel is about. That is its plot.

Gus must make the opposite of the traditional heroic journey—he must start out strong and end up weak in order to reimagine what constitutes a rich and well-lived life.

Basically, a 20-second clip from the first five minutes of a movie is not the movie.

(Standard acknowledgement here that I might be wrong, that I am inevitably defensive of TFIOS, that it has many flaws, that there’s nothing wrong with critical discussion, and that a strong case could be made that I should not insert myself into these conversations at all.)

(Source: k-scodelarios)

(Source: jess-miller)

(Source: sk-i-ns-uk)

(Source: thylaas)